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The traditional art of Illumination - the creation of elaborate,
decorated letters and initials - is now attracting new enthusiasts.
It reached its apogee in the monasteries of medieval Europe and was
practised with great skill and artistry. Embellished with gold
leaf, the illuminated letters of those early scribes seemed to
reflect light, as though they were indeed 'illuminated'.
Illuminated Letters presents step-by-step instructions for
recreating illuminated alphabets from six historical periods,
including Celtic, Gothic and Romanesque. Diagrams for upper- and
lower-case letters are accompanied by ideas for borders and
decorations, and full instructions for gilding. Each section also
explores ways in which the illuminated letters can be adapted to
create a truly personal style, while a gallery of modern examples
will inspire further creativity.
A celebration of the diverse world of American watercolors from the
late nineteenth through the twentieth century, featuring works from
the Harvard Art Museums’ collection Watercolor holds a special
place in the history of American art. For generations of artists,
the medium has provided a space for innovation and experimentation,
allowing practitioners to let their imagination loose and to
reflect on process and perception. Its rise to the status of fine
art in the decades following the Civil War is well documented, yet
its continued role as a testing ground and means of generating new
ideas throughout the twentieth century has received comparatively
less attention. This volume considers continuity and change in the
American watercolor tradition over a century of production through
the lens of the Harvard Art Museums’ collection. Works by
well-known watercolorists such as Winslow Homer, John Singer
Sargent, and James Abbott McNeill Whistler are included, as well as
surprising additions from Zelda Fitzgerald, Alexander Calder, Claes
Oldenburg, and many others. In the spirit of the medium, the
authors take a fluid and open-ended approach to the topic, offering
both personal and scholarly reflections that invite readers to
ponder the influence of these works on their own experience of the
world. In addition to contextual essays, there are close readings
of singular works and examinations of the unique material
characteristics of the watercolor medium. Distributed for the
Harvard Art Museums Exhibition Schedule: Harvard Art Museums,
Cambridge, MA (May 20–August 13, 2023)
If you've ever wanted to learn the techniques of hand lettering,
Calligraphy gives practical advice and guidance on materials,
tools, and proper methods. Containing four alphabets and 12
step-by-step projects, you'll be able to create stunning cards,
calendars, letterheads, and wall hangings. Author and professional
lettering artist Margaret Morgan will provide you with all the
essential skills you need to enjoy and thrive in the beautiful art
of calligraphy!
(back cover)
Illumination--the creation of elaborate, decorated letters and
initials--reached its apogee in the monasteries of medieval Europe.
Embellished with gold leaf, the illuminated letters of those early
scribes seemed to reflect light, as though they were indeed
"illuminated." This traditional art is now attracting new
enthusiasts.
- Illuminated Letters presents step-by-step instructions for
recreating illuminated alphabets from six historical periods,
including Celtic, Gothic, and Romanesque. Diagrams for upper- and
lower-case letters are accompanied by ideas for borders and
decorations, and full instructions for gilding.
- Each section also explores ways in which the illuminated
letters can be adapted to create a truly personal style, while a
gallery of modern examples will inspire further creativity.
ABOUT THE AUTHOR
Margaret Morgan is a professional calligrapher and an Associate of
the Calligraphy & Lettering Arts Society. She regularly accepts
both public and private commissions and conducts workshops for
calligraphic societies. Although traditional formal calligraphy
involving gilding, painting, and heraldry form an important part of
her work, she increasingly enjoys the challenge of more
experimental lettering. She is the author of two previously
published books on calligraphy.
FOREWORD BY ROSEMARY BUCZEK
Rosemary Buczek is a Master Penman and served two terms as
President of the International Association of Master Penmen,
Engrossers, and Teachers of Handwriting (IAMPETH).
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